Individuality, balance and the pure music
Listen to the piano opening the gorgeous In Situ, the penultimate track on Stephen Emmer’s new album, Asymmetrical Dot, for one of his approaches to the instrument. Its mechanics are certainly present, but the actual note being struck is deep and clear, nearly pure. Then, dig into Asymmetry, Emmer’s homage to David Lynch, for an altogether different take on what I’m taking to be the sound of a piano. It warps, bends, reconfigures itself and returns to something nearing its original state, counterpointed by a more recognizable piano. The two gestures speak to Emmer’s language as represented by this newest album, a fascinating voyage through this latest endeavor of a psyche more than willing to accept, create and synthesize.
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